Even everyday recall of past episodes in your life is more like imperfect reconstruction than hi-def playback. If we took this picture literally, you’d think that episodic memories were perfect audiovisual records, available for scrutiny and fine scrubbing whenever they’re needed.īut we know now that episodic memory recall is much, much messier than that. The way Inside Out portrays it, recall of episodic memory works a lot like playing a video on your iPhone - including two-finger-swipe multi-touch dynamics. The luminous colorful orbs filling the halls of Riley’s mind are meant to represent her episodic memories - her recollections of specific past events in her life. Memory is messier than it’s made out to be Here are a few things about the mind that Inside Out gets, well - inside out. Real 11-year-old girls don’t have a gleaming control center staffed by five key emotions - Anger, Disgust, Fear, Sadness, and Joy, with Joy as captain of the ship - managing their moods and behaviors like Inside Out’s protagonist, Riley, does the brain doesn’t store memories in glowing orbs before consigning them to the bottom of the cavernous Subconscious, where they eventually disintegrate into wisps of gray smoke.īut the components of Riley’s mind don’t work well as metaphors for how real minds operate, either. This is obviously true in the literal sense. But it’s not how the mind actually works at all. It’s an immensely clever concept, and makes for a funny and moving film. But it’s not set in the brain it’s set in a fantasy world that represents the abstract structure of the mind by way of towering architecture and colorful landscaping. Inside Out, the latest from Disney-Pixar, is an adventure into the great depths of the human mind.
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